On FILM AS A SUBVERSIVE ART
I believe FILM AS A SUBVERSIVE ART is the most exciting and comprehensive film book I’ve seen, period
I believe FILM AS A SUBVERSIVE ART is the most exciting and comprehensive film book I’ve seen, period
The fascination exerted by aborted film projects has reached a fever pitch in recent years, and a large part of the reason, I believe, was the partial reconstruction of Henri-Georges Clouzot’s L’ENFER
By the advent of the nineties the zombie floodgates, contrary to what you might have heard, were wide open in fiction, and certainly film
I’m very sorry to bid farewell to Sir Alan Parker, who passed on July 31
Continuing with my Year in Bedlam year-end overviews, we arrive at 1984
In the modern horror pantheon there are a handful of books so revered their publications have been touted as Major Events. HOUSE OF LEAVES by Mark Z. Danielewski deserves a place in that pantheon.
For those of us who came of age in the 1980s, the name Joel Schumacher, a film director who died on June 22 at age 80, has great meaning
Looking back on the many misspent hours of 1980s TV watching, I find that a few (only a few) programs have stuck in my mind
It’s been said of TOMIE that there is “nothing in Western horror literature, cinema and comics quite like it.” Not unless you take into account the 1989 novella RED HEDZ, revised as SZMONHFU and JANE’S GAME
Richard Stanley is one of the most interesting genre filmmakers on the scene, and also one of the least prolific