SOLARIS (1972)

The third feature by Andrei Tarkovsky and his first foray into science fiction, SOLARIS is the most famous such film to emerge from Russia

NARCO SATANICO

Mexi-madness containing all the things one might expect from a south-of-the-border trash fest, starting with the Big Three: sex, nudity and gore

MADNESS (1969)

The concept of an insane asylum as a metaphor for modern civilization didn’t originate with this Estonian import, but the film did provide this particular movie model with a quintessentially Eastern European highlight

ZEIRAM

An inexplicably popular example of Japanese Tokusatsu (live action special effects based cinema) that I say is mid

LOOKER

1981 SF from writer/director Michael Crichton that deserves points for its prophetic concepts—but that’s ALL it deserves points for