DEAD BOYZ CANT FLY
Those in the mood for gratuitous violence will be amply rewarded by this early-nineties over-the-topper
DEAD AGAIN
Another movie that seemed quite cool upon its initial release in the early 1990s but has lost much of its luster in the ensuing decades
DARK WATERS
I’ve never made peace with this film. I admire it, certainly, as it’s an extremely skilled mood piece that isn’t a parody, tribute or outright rip-off of something else. For all that, though, I’m just not sure DARK WATERS is all that good
THE DARK BACKWARD
I know many of you hold this film in high regard, but to me it’s the essence of pseudo-cult moviemaking: annoying, overwrought and obnoxiously self-satisfied
CURE
The artful and disturbing CURE was the breakout film by Japan’s Kiyoshi Kurosawa, and is still arguably his finest work
CURDLED
A memorably twisted black comedy from the nineties, executive produced by Quentin Tarantino and starring the shamefully underrated Angela Jones
CUBE (1997)
One of the most interesting genre films of the nineties, and certainly one of the most audacious, the 1997 CUBE is a breathtaking display of low budget ingenuity
CRIMETIME
A strikingly weird British made entry in the media satire craze of the 1990s, though not a very successful one!
CRASH (1996)
What was the best film of 1996? That’s easy: David Cronenberg’s CRASH!
CLEOPATRA’S SECOND HUSBAND
In my view this is the film SEX, LIES AND VIDEOTAPE should have been, an irresistibly demented indie about seduction and obsession among a quartet of thirtysomethings