THE DIVIDING HOUR
An interesting relic from the digital revolution of the late 90’s/early 00’s
An interesting relic from the digital revolution of the late 90’s/early 00’s
One of the most notorious films to emerge from the Category III cycle of nineties-era Hong Kong cinema
Richard Stanley more than made good on the early promise of HARDWARE with DUST DEVIL, a veritable epic of gore and magic set in the deserts of Namibia, Africa
Forget about SCREAM or THE BLAIR WITCH PROJECT—RINGU is the state of the art in nineties-era horror
This is, quite simply, the CITIZEN KANE of killer fridge movies
A gorgeously scenic yet profoundly grim and disturbing 1990 film that, in direct contrast to most movies of the period, has improved with age
An above-average 1992 Bollywood horror movie. It’s a mite overly self-conscious and derivative for my tastes, but definitely has its moments
This is one of the nastiest, most unflinching depictions of madness and murder you’ll ever experience, despite the fact that THE DEATHMAKER doesn’t contain a single act of onscreen violence
The first feature by Tom Tykwer was this stunningly lensed exercise in surreal oppression. It’s quite grim, but also absorbing, thought-provoking and deserving of wider exposure
This no-budgeter is uniquely stark and creepy but also excessively drawn out and monotonous, essentially a promising short stretched to feature length