JOE DANTE’S THE HOWLING: STUDIES IN THE HORROR FILM
Another in Centipede Press’s irresistible “Studies in the Horror Film” series, this one devoted to Joe Dante’s THE HOWLING
Another in Centipede Press’s irresistible “Studies in the Horror Film” series, this one devoted to Joe Dante’s THE HOWLING
On November 23, 2018 we lost one of the world’s greatest filmmakers
Yet another tragic celebrity death? I’m afraid so. The dear departed this time around is the great William Goldman, one of my longtime heroes
TRUE INDIE is filmmaker Don Coscarelli’s long-in-coming autobiography, and it’s a good one
Hell has always played well on screen. We’ve seen the inferno depicted in countless films over the years, from 1911’s Dante inspired L’INFERNO onwards
This Hong Kong monstrosity may be the ultimate killer snake movie
An interesting and, I think, vital take on John Waters and the underground film scene in which he thrived during the 1970s and early 80s
Clarification: this article is not actually about BLADE RUNNER (1982). It refers, in fact, to a key line in its end credits sequence: “WITH THANKS TO WILLIAM S. BURROUGHS AND ALAN E. NOURSE FOR THE USE OF THE TITLE BLADE RUNNER.”
This is the infamously bad directorial debut of Stephen King
Looking back at the summer movie season of 1985, it becomes immediately apparent that kid movies were all the rage