SINGLE WHITE FEMALE
2017 marks the 25th anniversary of this nineties thriller, one of the key entries in the “girlfriend/neighbor/cop/nanny/roommate from Hell” subgenre so popular at the time
SINGAPORE SLING
SINGAPORE SLING contains nearly everything we’ve come to expect in “cult” cinema: mind-boggling weirdness, unapologetic perversion and a steadfast refusal to play by any rules
THE SINFUL DWARF
You want sick? If so than this is the film for you, a sordid, ugly and bizarre Euro-obscurity about, yes, a dwarf who commits all manner of sin
THE SILVER GLOBE
Here’s something interesting: an unfinished Polish science fiction film from the seventies that seems to have become a horror movie by default
THE SILENT HOUSE (2010)
This 2010 Latin American no-budgeter was shot entirely in real time and a single continuous take. Interesting approach, but the film just isn’t very good
SILENT HILL
Contrary to what I once believed, it IS possible to have too much surreal weirdness in a movie. This expensive adaptation of the PC game SILENT HILL, from the talented Christophe Gans, proves that point adequately
THE SIGNAL
Hardly the “groundbreaking indie masterpiece” it’s been made out to be, THE SIGNAL (2007) is a semi-experimental anthology film that’s scary, funny and suspenseful—but still not all it could be
SHY PEOPLE
This largely forgotten gothic melodrama appears on its way to becoming a lost film. A shame, really, as it’s a haunting and atmospheric work unlike any other movie released during the eighties…or ever
THE SHOUT
Although it’s fallen into obscurity in recent years, this 1978 film marked something of a milestone in British horror with its unique narrative and unprecedented (for the time) use of sound
SHOOT
This would-be thriller wants very much to be a shocking expose of the dark underbelly of American machismo, and maybe it was back in 1976, but not today