DEJA VU
An interesting Yugoslavian thriller that uses the traditional first-person psychofilm framework to make political points
DEFENCELESS
A recent shot-on-video feature by Australia’s Mark Savage that’s very likely his best film
THE DEATHS OF IAN STONE
Originality is an increasingly rare commodity in today’s horror movie scene, which is why you’ve got to admire something like THE DEATHS OF IAN STONE
THE DEATHMAKER
This is one of the nastiest, most unflinching depictions of madness and murder you’ll ever experience, despite the fact that THE DEATHMAKER doesn’t contain a single act of onscreen violence
DEATHDREAM
A young soldier returns home from Vietnam as a zombie with an insatiable addiction to blood in DEATHDREAM, a bonafide seventies cult classic
DEATH WARMED UP
From New Zealand, a no-budget gorefest of a type that has become fairly common in recent years but wasn’t back in 1983
DEATH RACE 2000
One of the most popular films ever made by Roger Corman’s New World Pictures, and also one of the most overtly political
DEATH LAID AN EGG
Here’s one for fans of late sixties cinematic self-indulgence, of which this film stands as a particularly outrageous example
DEATH GAME
A happily married man unwisely lets two hot chicks into his house, only to have them turn into psycho bitches from Hell the next day in DEATH GAME, one of the most hopelessly inept yet curiously stylish and unnerving psychofilms ever made
DEATH BED
A strange, strange seventies horror flick about a carnivorous bed presided over by the spirit of Aubrey Beardsley(!)