LEMORA: A CHILD’S TALE OF THE SUPERNATURAL
A dreamlike and often spellbinding early seventies low-budgeter that’s much beloved by horror cultists the world over
LEFT BANK
An almost-good Dutch import from 2008 that falls somewhere between ROSEMARY’S BABY and THE WICKER MAN
LE GRAND DEPART
A 1972 French film shown almost entirely in negative exposure, which in itself makes it worth a watch
THE LAUGHING DEAD
The filmmaking debut of novelist S.P. Somtow, and further proof, after Stephen King’s MAXIMUM OVEDRIVE, that horror novelists are better off behind the typewriter
THE LAST WAVE
Australian director Peter Weir’s follow-up to his masterful PICNIC AT HANGING ROCK was this dreamlike exercise in apocalyptic fantasy that’s nearly as powerful as the earlier film
THE LAST SUPPER
A clever and engaging black comedy that benefits from fine performances and understated direction
THE LAST SHARK
One of the most notorious JAWS rip-offs, an Italian made trash fest marked by uninspired filmmaking and production values to match
THE LAST MAN ON EARTH
This 1964 film has been accorded classic status, presumably due to many viewers’ nostalgic memories of seeing it as a child, or maybe just because it’s old
LAST HOUSE ON THE LEFT
There exist better known films in the splatter movie pantheon, and certainly better made ones, but you’ll have a difficult time finding a meaner, nastier film
LAST HOUSE ON THE BEACH
Depraved Italian sleaze from 1978 that’s a crap-fest in every respect!