FROM INSIDE
As a veritable epic of sustained surreality this graphic novel is fairly remarkable.
As a veritable epic of sustained surreality this graphic novel is fairly remarkable.
FEATHER is a true oddity that exists somewhere in the arena of J.G. Ballard and Ian Sinclair, yet will never be mistaken for anything other than itself.
Here’s something I know will scare off quite a few of my readers: an overtly experimental novel about a post-apocalyptic England.
The 2007 Nikkatsu production TEN NIGHTS OF DREAMS (YUME JU-YA) is a monument in Japanese genre filmmaking.
A long-overdue volume, and in my view an essential one, a thorough study of the films of Alejandro Jodorowsky, arguably the premiere wild man of the cinema.
Yes, this is a movie novelization, and yes, it does suffer from quite a few of the pratfalls afflicting most such books
This wildly satiric and surreal novella is one of several Connell tales centered on the character of Dr. Black, “polymath and great phytographist, foremost of amateur nephologists.”
This wild and strange novella was initially published in French back in 1931. According to the 1999 introduction by Alastair Brotchie, the accredited authors “Jehan Sylvius” and “Pierre de Ruysnes” are pseudonymous; its actual authors may or may not be the surrealist scribes Robert Desnos and Ernest de Gengenbach. As Brotchie smartly concludes, “Whoever the authors were, they evidently enjoyed themselves.”
An interesting entry in the dream craze of the eighties, when it seemed every other horror-themed book and movie involved dreams
Much of the THE DEADLY PERCHERON’s critical attention has tended to focus on the opening chapter, but I believe the focus should instead be on the novel’s middle section, which is as mind-bending in its audacious twisting of reality as anything written by Philip K. Dick.