THE GRIN OF THE DARK
I was doubly startled by THE GRIN OF THE DARK, easily Campbell’s finest book in years.
I was doubly startled by THE GRIN OF THE DARK, easily Campbell’s finest book in years.
The elusive final novel by Arthur Machen, one of horror fiction’s most distinct and influential talents.
THE GREAT VICTORIAN COLLECTION compels one’s interest throughout, despite an admittedly meandering narrative.
It’s packaged as science fiction but is actually a hallucinatory horror fest with futuristic trappings. Some readers feel it’s a postmodern masterpiece, others a self-indulgent mess; I’ll have to side with the latter view, although there are mitigating elements.
I’ll have to say that based on the nine bizarre tales collected in GLASS COFFIN GIRLS, Paul Jessup definitely has the touch.
Here we have one of the great unknown masterworks of horror fiction.
As a veritable epic of sustained surreality this graphic novel is fairly remarkable.
FEATHER is a true oddity that exists somewhere in the arena of J.G. Ballard and Ian Sinclair, yet will never be mistaken for anything other than itself.
Here’s something I know will scare off quite a few of my readers: an overtly experimental novel about a post-apocalyptic England.
The 2007 Nikkatsu production TEN NIGHTS OF DREAMS (YUME JU-YA) is a monument in Japanese genre filmmaking.