THE BOXER’S OMEN
Quite simply: you’ll have a difficult time finding such a mind-roasting mélange of rapid-fire insanity anywhere in or outside Hong Kong
Quite simply: you’ll have a difficult time finding such a mind-roasting mélange of rapid-fire insanity anywhere in or outside Hong Kong
A far stupider-than-average Italian horror/trash fest from the mid sixties. It’s kinda fun, but don’t expect too much.
This 1984 rarity, a Hong Kong sexploitater spiced with black magic, is highly sought after by trash movie connoisseurs, but the reality is that outside of its geek show value there just isn’t much here
What is it about H.G. Lewis’s flicks that are so much fun? They’re not “good” by any stretch of the imagination—indeed, they’re often downright atrocious. Case in point: BLOOD FEAST, the first of Lewis’ gore epics
Eighties Italian sex-horror trash, a film SO amazingly crude, exploitive, wrong-headed and plain crazy it’s…well, a classic of sorts!
A middling early eighties monster movie notable for its outrageous ad campaign and intriguing premise
A wholly ludicrous, misconceived and plain crappy film about just what the title promises. Need I say more?
This digitally shot atrocity is foul, tasteless, irresponsible, gratuitously violent, morally repugnant, politically incorrect and utterly lacking in redeeming social value—in other words, a blast!
Another fun dollop of trashy horror from Spain’s Jose Ramon Larraz, of WHIRLPOOL and VAMPYRES fame
Quite simply the grossest of the gross: a disgusting, pandering, ultra-graphic sleaze fest from Italy’s notorious Joe D’Amato