POSSESSOR
The second feature by Brandon Cronenberg, who as in his first (2012’s ANTIVIRAL), created a film that’s heavily informed by the work of his father David
BLOOD MACHINES
A truly eye-popping viewing experience, this 50 minute French-made film was the “feature” debut of director/screenwriter/editor/production designer/visual effects supervisor Raphaël Hernandez, a.k.a. Seth Ickerman, and composer Carpenter Brut
The Films of Richard Stanley
Richard Stanley is one of the most interesting genre filmmakers on the scene, and also one of the least prolific
DUNE, THE DAVID LYNCH FILES: VOLUME 2
This, the second of Kenneth George Godwin’s DAVID LYNCH FILES, focuses on Lynch’s 1984 filming of Frank Herbert’s science fiction classic DUNE
THE PLATFORM
This Spanish language science fiction mindbender is very much in the tradition of Vincenzo Natali’s CUBE
RIDLEY SCOTT: A BIOGRAPHY
A book about the prolific British filmmaker Ridley Scott that isn’t what I’d call revelatory
1986: The Year in Bedlam
Fact: anyone who says the eighties were a “golden age” for film is wrong, wrong, wrong, as the year 1986 proves quite amply
STRANGERS IN PARADISE
This ridiculous sci fi musical from the late R.W. Fassbinder acolyte Ulli Lommel wants very much to be a cult sensation a la REPO MAN or THE ROCKY HORROR PICTURE SHOW, but fails spectacularly
ANIARA
The one and only science fiction epic poem, originally published in Swedish and reissued in English by Stephen Klass and Leif Sjöberg
2019: The Year in Bedlam
What is there to say about 2019? A lot, albeit not on the movie screens