STRANGERS IN PARADISE
This ridiculous sci fi musical from the late R.W. Fassbinder acolyte Ulli Lommel wants very much to be a cult sensation a la REPO MAN or THE ROCKY HORROR PICTURE SHOW, but fails spectacularly
This ridiculous sci fi musical from the late R.W. Fassbinder acolyte Ulli Lommel wants very much to be a cult sensation a la REPO MAN or THE ROCKY HORROR PICTURE SHOW, but fails spectacularly
The one and only science fiction epic poem, originally published in Swedish and reissued in English by Stephen Klass and Leif Sjöberg
What is there to say about 2019? A lot, albeit not on the movie screens
Apologies for the brutal honesty, but regarding the 2010s I have this to say: What a lousy decade for entertainment!
His name may not appear anywhere on it, but make no mistake: Mr. Steven Spielberg was the guiding force behind this late 1970s screenplay
Here I’ll focus on the sole element relating to THE TERMINATOR that hasn’t already been picked over and/or argued about to death: the two novelizations it inspired
Here we have what has fast become one of the most fabled unfilmed screenplays: a 245 page science fiction themed oddity from Shane Carruth, of PRIMER (2004) and UPSTREAM COLOR (2013)
I really hate to keep repeating myself in my year-end summations, but I just have to say it: 1988 was an abysmal year for movies
An evangelical film with a difference, which is to say that unlike most such films SIX-HUNDRED & SIXTY SIX, hailing from 1972, is almost good
Here we have China’s attempt at Hollywood-styled blockbuster moviemaking: an unapologetically loud, unharmonious science fiction themed epic that prizes aggressive escapism above all else