HALLOWEEN (Novel by Curtis Richards)
One of the most revered and widely sought-after movie novelizations, Curtis Richards’ HALLOWEEN went through multiple printings (and covers) throughout 1979.
One of the most revered and widely sought-after movie novelizations, Curtis Richards’ HALLOWEEN went through multiple printings (and covers) throughout 1979.
The surprise, then, is how well-written this novel is, with admirably clutter-free descriptions, a semi-successful attempt at three-dimensional characterizations, and convincing descriptions of the psyche of the title character, a mutant grizzly bear.
Interesting the book is, it turns out, even if it plays fast and loose with Cohen’s screenplay–it’s possible that author C.K. Chandler may have worked from an unused draft of the script, because much is different from the finished film.
That’s appropriate, as THE FOG is far and away the best of the bunch. For that matter, I feel it’s one of Etchison’s best novels, period.
Yes, this is a movie novelization, and yes, it does suffer from quite a few of the pratfalls afflicting most such books
Five books called Halloween. That’s all.
When perusing COLOR ME BLOOD RED, the last of H.G. Lewis’ novelizations of his fabled early 1960s gore flicks, there are a few things to keep in mind: 1). The film it novelizes is, as Lewis himself has conceded, not one of his better efforts, 2). It was not among the Lewis novelizations Fantaco reprinted in 1988 (and clearly there’s a reason for that), and 3). Lewis has subsequently admitted he “spent less attention” on this adaptation than he did the others. Yet even allowing for those things, COLOR ME BLOOD RED is worthwhile reading for horror buffs in a forgiving mood.
Somebody wrote a novelization of BLACK DEVIL DOLL?
The late H.G. Lewis was the writer and director of the 1960s-era gorefests BLOOD FEAST, TWO THOUSAND MANIACS! and COLOR ME BLOOD RED, which comprise a loose-knit trilogy. Lewis also wrote novelizations of the three films
The saga of what is now commonly known as THE THING has a 70-plus year history that, not unlike the unstoppable shape-shifting “Thing” itself