TWENTYNINE PALMS

The third feature by France’s Bruno Dumont was this ludicrous quasi-horror movie from 2003

The Nun

The legendary French classic THE NUN (or LA RELIGIEUSE) may well be the first true example of “nunsploitation.”

THE NECROPHILIAC

Beyond that I believe THE NECROPHILIAC is best categorized by what it isn’t: refined, polite or sparing to the sensibilities of squeamish readers.

THE LADY IN THE CAR WITH GLASSES AND A GUN

A most intriguing exercise in psychological displacement in the guise of a crime thriller, this twice-filmed novel by France’s Sebastian Japrisot (actually Jean-Baptiste Rossi) is a confounding masterwork.