LETTERS FROM A DEAD MAN

From pre-Glasnost Russia, a profoundly grim and depressing look at the aftermath of a nuclear war that’s also a supremely lyrical, poetic piece of filmmaking

THE LAST WAVE

Australian director Peter Weir’s follow-up to his masterful PICNIC AT HANGING ROCK was this dreamlike exercise in apocalyptic fantasy that’s nearly as powerful as the earlier film

THE LAST MAN ON EARTH

This 1964 film has been accorded classic status, presumably due to many viewers’ nostalgic memories of seeing it as a child, or maybe just because it’s old

THE TRIGGER EFFECT

This film, about a blackout that brings out the worst in the residents of an American city, was ignored during its initial 1996 release

THREADS

Movies don’t come much rougher than this BBC production, an unblinking depiction of the effects of a nuclear war upon a British community

DOOMSDAY

The apocalyptic DOOMSDAY is mindless, trashy, derivative and furiously entertaining—and in the end isn’t that the whole point?

RIGHT AT YOUR DOOR

Let’s hope this bleak and alarming film, about terrorists who cripple L.A. by detonating “dirty bombs,” is far-fetched scaremongering—because if not then we’d best head for the fallout shelters ASAP!

THE HELLSTROM CHRONICLE

Definitely one of the most unique killer bug movies ever, an insect documentary done up as an apocalyptic thriller that manages to locate the best worlds of both