LOFT
Like director Eckhart Schmidt’s earlier film TRANCE, LOFT is steeped in 1980s new wave culture, which can be taken as a good or bad thing depending on one’s point of view
Like director Eckhart Schmidt’s earlier film TRANCE, LOFT is steeped in 1980s new wave culture, which can be taken as a good or bad thing depending on one’s point of view
That George A. Romero, who died on July 16, 2017, was one of the most important horror moviemakers of his generation, and indeed of all time, goes without saying
A Euro sleaze-fest that occupies a most rarified category: that of cut-rate rip-offs of 1981’s CHRISTIANE F.!
The untimely demise of film director Jonathan Demme on April 26, 2017 has inspired a number of obituaries. All, unsurprisingly, have been downright orgasmic about his accomplishments.
A British made exercise in Eastern-flavored weirdness that’s not a bad movie, but it could definitely have used a more adventurous treatment.
This isn’t the greatest movie director memoir I’ve ever read, but it is a vital one
This morning, on February 26, 2017, it was announced that the great Bill Paxton had died
Here we have a true American oddity with a history as nutty as what ended up on screen.
The alleged masterpiece of Souleymane Cisse, 1987’s YEELEN (BRIGHTNESS) has been called the “greatest African film ever made.”
Surprisingly, this novel isn’t all that bad–even if it contains the expected hasty prose and wobbly storytelling I’ve come to expect from movie novelizations–being quite slick and enjoyable overall.