The Birthing House

eemingly everyone has praised this novel to the skies, and after reading it I’ll have to say that in this case everyone is right. A first novel of uncommon nuance and conviction, THE BIRTHING HOUSE has a probing intelligence and depth of characterization that aren’t supposed to be able to co-exist with supernatural scares. Those wanting a primer on what’s wrong with much of today’s horror fiction should read this book, as it gets most everything right!

BIOGENESIS

Readers familiar with the medically informed horror fiction of Michael Blumlein will find a most welcome equivalent in this collection by Japan’s Tatsuaki Ishiguro

BIG AS LIFE

A definite oddity in the cannon of the late E.L. Doctorow, who specialized in historical fiction. In BIG AS LIFE, his second novel, Doctorow tried his hand at surreal fantasy, relating the highly speculative account of two giant humanoid figures who one day appear suspended in the sky over the New York Harbor, throwing the city into chaos.

THE BEYOND

This is the graphic novel adaptation of Lucio Fulci’s 1981 splatter masterpiece THE BEYOND

BEREAVEMENTS

Eccentric, humorous and decadent: all those things adequately sum up BEREAVEMENTS, with its perversely humorous depiction of grief-born insanity.

THE BECKONING FAIR ONE

This is the most famous tale written by the late Oliver Onions, and widely considered one of the classic English language ghost stories.

The Beast Within

A surprise: a moldy oldie that never seemed too promising (especially since it was made into a crummy 1982 flick) but which turned out to be one of the finest genre novels I’ve read in some time. It’s graphic, imaginative and wildly unpredictable, not to mention pleasingly eccentric.

BEARWALK

This little-known Canadian relic offers a novel take on the oft-used concept of an ancient Indian curse wreaking havoc on the lives of a modern couple: it’s actually populated by Indian–or, this being a Canadian publication, First Nations–people.

BANSHEES

The idea of a satanically endowed rock band isn’t new, but in the hands of author Mike Baron (of 2013’s SKORPIO) it assumes a terrifically pulpy grandeur