THE GREEN WOMAN
He (together with co-writer Michael Easton) takes to the form like a natural, spinning a fractured, visually oriented yarn that works extremely well in graphic form.
THE GREEN ROUND
The elusive final novel by Arthur Machen, one of horror fiction’s most distinct and influential talents.
THE GREEN MILE
The narrative, which takes the form of recollections by an ex-prison guard of his tenure as chaplain of some death row inmates back in the 1930s, is a highly episodic, flashback-packed ramble that takes its sweet time to work itself out.
THE GREAT VICTORIAN COLLECTION
THE GREAT VICTORIAN COLLECTION compels one’s interest throughout, despite an admittedly meandering narrative.
The Great Bagarozy
This was apparently “one of the most acclaimed German novels of recent years,” written by “the great hope of German literature.” I’m not sure I agree with either sentiment.
THE GREAT AND SECRET SHOW
Definitely an interesting and unique novel, but a complete success? No.
The Gray Zone
The concept of time travel is given a fascinating workout in this novella, a powerfully ominous tale that dimly recalls other such accounts (such as Alain Resnais’ classic film JE T’AIME, JE T’AIME) but is for the most part quite unique.
GOLEM100
It’s packaged as science fiction but is actually a hallucinatory horror fest with futuristic trappings. Some readers feel it’s a postmodern masterpiece, others a self-indulgent mess; I’ll have to side with the latter view, although there are mitigating elements.
GOD TOLD ME TO
Interesting the book is, it turns out, even if it plays fast and loose with Cohen’s screenplay–it’s possible that author C.K. Chandler may have worked from an unused draft of the script, because much is different from the finished film.
GOD’S MAN
This makes GOD’S MAN one of the first-ever graphic novels, and one that nearly a century after its initial publication still holds up remarkably well.