THROUGH THE LOOKING GLASS
One of the freakier seventies porno features, a particularly odd and striking piece of cinematic dementia.
One of the freakier seventies porno features, a particularly odd and striking piece of cinematic dementia.
The alleged masterpiece of Souleymane Cisse, 1987’s YEELEN (BRIGHTNESS) has been called the “greatest African film ever made.”
Here we have The Bedlam Files’ first-ever “Look Back,” covering the previous year’s noteworthy happenings in the world of cult/horror film and literature.
A most interesting science fiction pastiche, consisting of stories set in and around an interplanetary resort called Aventine.
Welcome to the first installment of my “Year in Bedlam” end-of-the-year movie rankings.
A novelization–although a more accurate description would be a novel based on themes from THROUGH THE LOOKING GLASS.
The overhauled OAK-MOT is, in Glover’s own words, “a story of epic proportions involving pride and prejudice.” It’s also confounding, perverse and demented as fuck.
As a summation of all things Nemonymous I’m unsure how this volume rates (not having read the first seven installments), but as an example of the ineffable strangeness that defines these books it’s first rate.
THE NIGHT BEFORE CHRISTMAS, which is not to be confused with other better-known accounts bearing that title, is apparently quite revered in its native land, where it’s regularly read to children on Christmas Eve.
This is the first of Edward M. Erdelac’s MERKABAH RIDER series of weird westerns.