EVILSPEAK

As a longtime Clint Howard fan I’ll always have a soft spot for EVILSPEAK, which marked Clint’s first-ever starring role—even if it is extremely dated and overall quite dumb

THE END OF THE WORLD (1931)

Yikes!  An asteroid is heading for Earth, threatening to wipe out the entire planet Sounds like METEOR, DEEP IMPACT, ARMAGEDDON and a host of other modern-day disaster pics, but it’s actually THE END OF THE WORLD, filmmaker Abel Gance’s 1931 epic.

SYNGENOR

SYNGENOR begins with a topless babe getting attacked by the titular creature.  Later a woman is genetically combined with the Syngenor to become a slimy two-headed what’s-it.  Think what you will, but I’ll always have a soft spot for movies like this

SUPER XUXA VERSUS SATAN

The Brazilian kid show hostess Xuxa is the headliner of his beyond-ridiculous, utterly inappropriate kids’ film whose title adequately sums up its so-called charms

SUICIDE CULT

This ultra-obscure train wreck of a movie is a colossal embarrassment, but it is undeniably fascinating to watch the film’s hideously confused storyline—which somehow mixes astrology, mass suicide, CIA intrigue, mind control and the Second Coming—unfold

STREET TRASH

Another eighties-era gorefest that adds up to very little conceptually but excels in manic inspiration. It’s about bums who get a hold of flesh-melting hooch—plenty of grue ensues!

STRANGLER VERSUS STRANGLER

There’s no other movie quite like this loony comedy-chiller from Serbia, which never takes an expected turn and has a cheesy yet curiously elegant style that’s very much its own

SONNY BOY

The 1990s were filled with independent films marketed, most often misleadingly, as “bizarre”, “shocking”, “subversive” and other similarly enticing adjectives.  For a nineties indie that really is all those things go directly to SONNY BOY

SNAKES ON A PLANE

Years from now this 2006 movie, and the brief phenomenon it inspired, will be looked upon as one of the most unique products of its time

SKINNER

If the purpose of a horror movie is to startle then this one must be counted as a success, particularly in some unforgettable gross-out moments.  That doesn’t change the fact, however, that it’s standard-issue nineties straight-to-video trashola in nearly every other respect