BRAVE
In recent years Rose McGowan has gone from being a semi-famous actress, in films like THE DOOM GENERATION, JAWBREAKER and GRINDHOUSE, to a passionate feminist crusader
In recent years Rose McGowan has gone from being a semi-famous actress, in films like THE DOOM GENERATION, JAWBREAKER and GRINDHOUSE, to a passionate feminist crusader
Here’s a neglected science fiction themed indie that deserves a reappraisal
One of those no-budget wonders that demands the viewer be VERY forgiving, yet offers a number of real rewards for those willing to put up with its shoddy production values
What follows is the latest installment of the Year in Bedlam overview of the previous year’s best and worst movies, according to yours-truly
Here we have the most controversial film of 2017, a modest black and white comedy that seemingly overnight went from being one of the year’s most anticipated releases to one of its most reviled
Here we have the latest installment of my Look Back in Bedlam end-of-the-year overview of topics that are of particular interest to this site–and Bedlam, it turns out, was indeed the word for 2017
A must-own for films nerds everywhere, this is a joint memoir by the notorious Kuchar brothers
The untimely demise of film director Jonathan Demme on April 26, 2017 has inspired a number of obituaries. All, unsurprisingly, have been downright orgasmic about his accomplishments.
What do ILL-GOTTEN GAINS, a little-seen black and white indie, and CLAUDE’S CRIB, a short-lived USA Network sitcom, have in common?
One of the most interesting independent films of the 00s, a severely uncompromising depiction of despair and desperation in an American suburb