THE SEED
I’m not sure I liked this book all that much, but it exerts a definite druggy fascination
I’m not sure I liked this book all that much, but it exerts a definite druggy fascination
Max Ernst was one of the most famous of the original surrealists, and his supreme masterworks are the collage novels THE HUNDRED HEADLESS WOMAN, A LITTLE GIRL DREAMS OF TAKING THE VEIL and A WEEK OF KINDNESS
There must have been something in the air. How else to explain what happened in Europe during the 1970s, when four world-renowned filmmakers inexplicably elected to ditch their usual fare in favor of bizarre ALICE IN WONDERLAND-inspired phantasmagorias?
From Los Angeles based artist Tom Neely, a most unique and fascinating “painted novel” that operates on the same level as an especially weird David Lynch movie
One of those Euro-flavored oddities of which I can’t seem to get enough
A stunning exercise in subconscious dementia that preceded Kafka and the surrealists by nearly two decades
A real curiosity: a surrealist novel masquerading as a gothic thriller that never entirely satisfies as either. Rather, it’s a rare book that exists in its own indefinable category
In 2009 there was one publication that dwarfed most every other in importance, uniqueness and sheer size: THE RED BOOK