THE DARK BACKWARD
I know many of you hold this film in high regard, but to me it’s the essence of pseudo-cult moviemaking: annoying, overwrought and obnoxiously self-satisfied
I know many of you hold this film in high regard, but to me it’s the essence of pseudo-cult moviemaking: annoying, overwrought and obnoxiously self-satisfied
A memorably twisted black comedy from the nineties, executive produced by Quentin Tarantino and starring the shamefully underrated Angela Jones
So-so PG-rated comic book horror scripted by Stephen King and directed by George Romero
A true classic of Japanese cult cinema, a stunningly twisted black comedy that takes on suburban life in eighties-era Japan by spoofing American sitcoms of the time
One of the most notorious flops of the nineties, an overly expensive, under-conceived Tim Burton-esque concoction from writer/director Dan Aykroyd
It’s a rare event when a film arrives with a genuinely bold and unique concept, and even rarer when said film actually lives up to it. NOTHING, directed by Canada’s Vincenzo Natali, handily accomplishes both feats
Geezer horror? If there is such a thing than HOMEBODIES is easily the finest example of such
That title is literal, as this movie is indeed set on and around a highway leading to Hell. Don’t get your hopes up too high, though, as it’s essentially a so-so action-comedy
No budget British comedy-horror from 2005. It’s utterly ludicrous, trashy and obnoxious—and also pretty damn funny!
Publishing-wise 2012 contained more than its share of good, and sometimes even great, books