I LOVE YOU, DADDY
Here we have the most controversial film of 2017, a modest black and white comedy that seemingly overnight went from being one of the year’s most anticipated releases to one of its most reviled
Here we have the most controversial film of 2017, a modest black and white comedy that seemingly overnight went from being one of the year’s most anticipated releases to one of its most reviled
This Czech satire owes more than a little something to Ray Bradbury’s I SING THE BODY ELECTRIC!/THE ELECTRIC GRANDMOTHER, but taken on its own terms it’s pretty good
Many will disagree, but I say it’s a fact that my book reviews have in many cases helped inspire cults
As one of the (very) few viewers who looked forward to STASH prior to its release, I can attest that it had potential
Joe Hill’s second novel is far better overall than its predecessor A HEART-SHAPED BOX, fulfilling many things the previous book promised but didn’t deliver.
Thankfully HAPPY NOW, Charles Higson’s equally English-centric follow-up, is a far better book overall, equal to best work of authors like Iain Banks and Patricia Highsmith.
The idea of a man-made drug causing people to lose their sexual inhibitions had been done before THE GAS saw print and after, but no other novel took the concept as far as Platt did.
England’s Ramsey Campbell is one of the finest horror scribes on the scene, and THE COUNT OF ELEVEN one of his best-ever novels
What follows is perhaps the most controversial stance I’ve ever taken
With the LORD OF THE RINGS films now ensconced in the “classic” cinema pantheon, I’d say it’s an opportune time to take a look at the output of their director