NIGHTBREED
The second, and most ambitious, of Clive Barker’s self-directed features
The second, and most ambitious, of Clive Barker’s self-directed features
Not a good movie, although it is a fun one
This is perhaps the key nonfiction text of the Horror Boom of the 1970s and 80s
A vision of Hell that in originality, ingenuity and inspiration rivals the classics
A novel that often reads like a Ramsey Campbell Greatest Hits package
With the advent of 2020 the disease movie has taken on an entirely new resonance
The second of David J. Skal’s “Cultural Histories.” The first was 1993’s THE MONSTER SHOW, which took a rambling yet thoroughly enjoyable look at horror media
A McFarlane Toy line doesn’t exactly sound like a promising beginning for a novelette by Clive Barker, but what Barker turned out here is one of his most memorable books in some time
Assembling a best-books-of-the-year list is always a dicey proposition. Quite simply, nobody can be expected to track down and read every worthwhile book printed over the course of the previous year…
Now here’s a subject I know a bit about: paperback horror novels of the so-called “horror boom” of the 1970s and 80s