SCHOOL TIES
This 90s Hollyweird product is pretty good, albeit burdened with a crummy third act. These days it’s best known as an early showcase for quite a few future stars
This 90s Hollyweird product is pretty good, albeit burdened with a crummy third act. These days it’s best known as an early showcase for quite a few future stars
What do ILL-GOTTEN GAINS, a little-seen black and white indie, and CLAUDE’S CRIB, a short-lived USA Network sitcom, have in common?
The chances are, if you’re a horror movie fan then you own some bootlegged videos. You know what I’m talking about.
1973’s THE EXORCIST remains one of the most successful and enduring horror movies of all time yet, Hollywood being as it is, multiple sequels were an inevitability.
According to its own cover description, THE BRAVE “contains episodes that will shock even the most jaded reader: it is not for the weak at heart.”
1996’s “Cutting Moments” is, quite simply, one of the most powerful short films of any sort to emerge in the last 30 years
With the LORD OF THE RINGS films now ensconced in the “classic” cinema pantheon, I’d say it’s an opportune time to take a look at the output of their director
A slightly above average early 90’s TV movie potboiler from Frank Darabont, future director of high profilers like THE SHAWSHANK REDEMPTION and THE GREEN MILE
There will never be another year like 1994
The grindhouse and the arthouse: two distinct modes of cinema that would appear to be leagues removed–and for the most part they are.