From the Grindhouse to the Arthouse
The grindhouse and the arthouse: two distinct modes of cinema that would appear to be leagues removed–and for the most part they are.
The grindhouse and the arthouse: two distinct modes of cinema that would appear to be leagues removed–and for the most part they are.
Today marks the 40th anniversary of the June 20, 1975 release of Steven Spielberg’s JAWS
The shocking death of Wesley Earl Craven on August 30, 2015 has led me to conduct a serious reappraisal of his place in the horror firmament.
Everyone, it seems, loves grindhouse cinema
An Italian made movie theater set murder mystery that gradually morphs into something far stranger and horrific
Don’t you hate it when a “classic” horror movie turns out to be…well, like this one?
One of the odder JAWS wannabes from the seventies: a big budget horror programmer about a killer car!
A solid, if pretentious, 1971 psycho thriller from Spain
So-bad-it’s-rotten comedy-horror from Canada, notable only for the fact that it was an early effort by director Ivan Reitman
I caught up with this 1973 obscurity fairly recently, but it immediately jumped to the top of my grindhouse fave list