LOW-BUDGET HELL: MAKING UNDERGROUND MOVIES WITH JOHN WATERS
An interesting and, I think, vital take on John Waters and the underground film scene in which he thrived during the 1970s and early 80s
An interesting and, I think, vital take on John Waters and the underground film scene in which he thrived during the 1970s and early 80s
Clarification: this article is not actually about BLADE RUNNER (1982). It refers, in fact, to a key line in its end credits sequence: “WITH THANKS TO WILLIAM S. BURROUGHS AND ALAN E. NOURSE FOR THE USE OF THE TITLE BLADE RUNNER.”
This thirteen part serial hails from 1919. It was the final crime-themed work of France’s incomparable Louis Feuillade
A novelization that replicates the unfettered spirit of its Joe Dante directed source
Believe me when I tell you that this 1970s relic is one of the absolute best after-the-bomb novels in existence
A maddening, thought-provoking and altogether brilliant portrayal of a murderer that doesn’t announce itself as such until the final ten minutes!
There has never been another film quite like THE COLOR OF POMEGRANATES
No, this isn’t a novelization of Luis Bunuel’s 1962 film EL ANGEL EXTERMINADOR, but, rather, the screenplay for it
Appearing just in time for the fiftieth anniversary of Stanley Kubrick’s 2001: A SPACE ODYSSEY, this book can lay claim to being the definitive resource on the making of that classic
This was the final testament of Luis Bunuel, one of the world’s great troublemakers