THE FALLS
An astonishing tapestry that’s comedic, alarming and poetic by turns, THE FALLS was the first feature by Peter Greenaway, who went for broke in a panoramic 194 minute epic
DONKEY SKIN
A fairy tale adaptation from 1970 that despite a creepy incest angle emerges as a justified classic
COLOR OF NIGHT
I wish I could report that COLOR OF NIGHT, the final film directed by filmmaker extraordinaire Richard Rush, was a superior example of the erotic thriller format, but I’m afraid that’s not the cas
PRINCE OF DARKNESS
Some commentators would have you believe this film is one of John Carpenter’s biggest failures, while others maintain that it’s a masterwork—I say both views are wrong
GODZILLA MINUS ONE
It was inevitable that Japan’s Toho Studios, after decades of aggressively rebranding Godzilla for the international market, would finally get it right.
DISNEY’S A CHRISTMAS CAROL
DIrector Robert Zemeckis’ ambitious but deadening take on Chsrles Dickens’ clsssic
THE PASSIONS OF CAROL
The one and only XXX take-off of A CHRISTMAS CAROL
THE OLD HOUSE, PASSING
Experimental mood-based horror from underground film legend Larry Jordan
THE BIG DOLL HOUSE
Among women in prison movies THE BIG DOLL HOUSE is one of the biggies
A DAY IN THE CITY
Dadist subversion in the form of a satirical quasi-documentary portrait of Stockholm, circa 1956