THE UNIVERSE AS PERFORMANCE ART
Weird fiction is alive and well in the twenty first century, and THE UNIVERSE AS PERFORMANCE ART is a standout example
BEWARE US FLOWERS OF THE ANNIHILATOR
The latest and most comprehensive collection of stories by Canada’s master of elegantly drafted bizarrie Alexander Zelenyj
SWEETHEART, SWEETHEART
Not a bad novel by any means, but SWEETHEART, SWEETHEART is overlong and not entirely satisfying
VAMPIRES: STORIES OF THE SUPERNATURAL
This anthology contains four tales of the supernatural, written by Leo Tolstoy’s cousin Alexis
A DOG’S HEAD
A sui generis example of big-hearted fantasy spiced with unsentimental magic realism
COYOTE
COYOTE may be an extended hallucination or an eccentric first-person crime saga; either way, it’s a deeply chilly and upsetting book
SICK
A promising but not entirely successful horror novel that debuted at the wrong time
GHOSTS IN THE SWAMP
A long-forgotten German horror-science fiction-fantasy epic, translated by indefatigable Joe E. Bandel
CHOICE CUTS
Initially published back in 1965, CHOICE CUTS is, despite some affecting passages, strictly a product of its time
TRAPPED
I maintain that the Edmund Plante authored 1987 horror-fest TRANSFORMATION is a rotgut classic. TRAPPED, Plante’s similarly oriented 1989 follow-up, is not.