NULL IMMORTALIS
As a summation of all things Nemonymous I’m unsure how this volume rates (not having read the first seven installments), but as an example of the ineffable strangeness that defines these books it’s first rate.
As a summation of all things Nemonymous I’m unsure how this volume rates (not having read the first seven installments), but as an example of the ineffable strangeness that defines these books it’s first rate.
THE NIGHT BEFORE CHRISTMAS, which is not to be confused with other better-known accounts bearing that title, is apparently quite revered in its native land, where it’s regularly read to children on Christmas Eve.
This is the first of Edward M. Erdelac’s MERKABAH RIDER series of weird westerns.
A provocative updating of the mad scientist subgenre of yore (see DONOVAN’S BRAIN, PROFESSOR DOWELL’S HEAD, etc.), the independently published MEMORIA encapsulates both the pros and cons of “underground” horror.
The most famous work by France’s late Maurice Sandoz, a short novel of vaguely Lovecraftian mystery that still holds up–mostly.
Although it wasn’t published in English until 1998 (in an edition now sadly out of print), Jean Ray’s MALPERTUIS is one of the great novels of supernatural horror.
For those of you who like your horror tinged with undiluted surrealism, this hallucinatory account of a lost man is the book for you–or at least, it’s a book for you.
Those lucky few who’ve read Arlette Ryvers’ translation of JEANNE’S JOURNAL all seem to exhibit similarly awe-struck reactions, and having finally gotten around to experiencing this pervy masterwork myself, I fully understand the adulation.
This was the book that turned me onto the work of T.M. Wright.
INFERNO is something else entirely: a sprightly, surreal and totally captivating fantasy with a daring take on the inferno as imagined by Dante Alighieri.