MACABRE
This gruesome and depraved yet subtle, atmospheric Italian horror fest was the directorial debut of Lamberto Bava, son of the legendary “Father of Italian horror” Mario Bava
THE VISITOR
In the small but potent category of crazy-assed OMEN wannabes (see SUICIDE CULT and FEAR NO EVIL), the Italian-made THE VISITOR is a definite stand-out
BURIAL GROUND
Italian zombie flicks tend to be extremely gory and extremely goofy, and this pasta zombie fest from 1980 contains both qualities in abundance
BLOODY PIT OF HORROR
A far stupider-than-average Italian horror/trash fest from the mid sixties. It’s kinda fun, but don’t expect too much.
BLOOD DELIRIUM
Eighties Italian sex-horror trash, a film SO amazingly crude, exploitive, wrong-headed and plain crazy it’s…well, a classic of sorts!
BLACK SUNDAY (1961)
This was the first solo-directed film by the great Mario Bava, and remains his best-known work. There’s an excellent reason for that, and for the fact that actress Barbara Steele became an icon.
BEYOND THE DARKNESS
Quite simply the grossest of the gross: a disgusting, pandering, ultra-graphic sleaze fest from Italy’s notorious Joe D’Amato
THE BEYOND
The undoubted masterpiece of Lucio Fulci, a crazed and surreal gorefest that’s irresistible, even if it doesn’t make much sense
ETOILE
A lame ballet-centered horror flick that was mercifully forgotten until the release of BLACK SWAN, with which it shares quite a few similarities
SLAUGHTER OF THE VAMPIRES
An unauthorized take on DRACULA, SLAUGHTER OF THE VAMPIRES isn’t very good, but has amassed a following due, I’m assuming, to the fact that it’s so old