NAQOYQATSI
The third film in director Godfrey Reggio and composer Philip Glass’s wordless, impressionistic “Qatsi” trilogy, following the legendary KOYAANISQATSI and POWAQQATSI
NADJA
The “masterpiece” of American indie film darling Michael Almereyda, a highly evocative and idiosyncratic (read: pretentious) black and white reverie set in mid-1990s NYC
THE HUNTING PARTY
A gotta-see-it-to-disbelieve-it product of the early seventies, when the production code governing film content had just been abolished, and American moviemakers responded by unleashing a veritable tsunami of sex and violence
A HUNGER ARTIST
This 1982 Franz Kafka adaptation is a nicely lensed 22-minute account that really captures the story’s surreal élan
HUMANOIDS FROM THE DEEP
More eighties trashola from Roger Corman, with plenty of gore, slime, cheesy sea monsters, gratuitous T&A and one of the cinema’s better mutant birth scenes
THE HUMAN CENTIPEDE (FIRST SEQUENCE)
This, as you may recall, was the gross-out spectacle of 2010
THE HOUSE WITH LAUGHING WINDOWS
A striking, though imperfect, film from Pupi Avati, one of the Italian horror film industry’s least-known talents
HOUSE OF USHER
The first of Roger Corman’s stately and refined Edgar Allen Poe adaptations. An affecting film, but I prefer my Corman pictures down and dirty
THE HOUSE OF THE YELLOW CARPET
A powerfully atmospheric 1983 entry in the giallo cycle with a clever script and strong performances
THE HOUSE OF THE SEVEN GRAVES
Heavily surreal horror from Argentina that’s confusing and incoherent