THE SUBSTANCE
Body horror and Hollywood: a true match made in Hell.
Remembering That Which is Better Forgotten: THE CANNONBALL RUN
One of the great curiosities of late Twentieth Century American cinema was the monster success of THE CANNONBALL RUN in 1981
A NIGHTMARE ON ELM STREET (1984)
It’s no longer the mind-blower it once was, but Wes Craven’s 1984 classic remains an attention-getter
THE COFFEE TABLE
2024’s major shock-fest, containing all the things that make Spanish horror great
HAPPINESS
A 1998 film that in its pitiless depictions of loneliness, jealousy and boredom is more relevant to the iPhone age than the time in which it was made
MONSIEUR ROBERT HOUDIN
Those wanting a straight biographical portrait of the legendary French magician Robert Houdin should probably avoid this 1966 telefilm, whose treatment is far from orthodox
THE DOOR IN THE WALL
An H.G. Wells adaptation that offered up a new, and never again utilized, innovation: The Dynamic Frame, in which the aspect ratio is shifted to serve “the dramatic needs of the story”
THE ANIMAL (1968)
An especially intriguing trash-fest combining period-specific sexploitation with HENRY: PORTRAIT OF A SERIAL KILLER-esque psycho-horror
THE FUTURE WAS NOW: MADMEN, MAVERICKS, AND THE EPIC SCI-FI SUMMER OF 1982
About mainstream science fiction cinema in the summer of 1982, a pivotal time for those of us who lived through it
THE END OF THE WORLD (1916)
A 1916 Danish made depiction of Earth threatened by a rogue comet