LOFT
Like director Eckhart Schmidt’s earlier film TRANCE, LOFT is steeped in 1980s new wave culture, which can be taken as a good or bad thing depending on one’s point of view
Like director Eckhart Schmidt’s earlier film TRANCE, LOFT is steeped in 1980s new wave culture, which can be taken as a good or bad thing depending on one’s point of view
2017’s gross-out movie of note, a freeform exercise in sub-Cronenbergian excess with a satiric thrust and overall fixation on bodily secretion
This novel is ostensibly about a man attempting to find his parents in WWII-era Shanghai, but its true concerns are far more dense and kaleidoscopic
Gore is back.
It’s the week of February 13, 2009 and the hotly promoted FRIDAY THE 13th remake has opened number one at the U.S. box office.
Welcome to the first installment of my “Year in Bedlam” end-of-the-year movie rankings.
Here you’ll find a slew of wild, goofy, unpredictable and absolutely first rate reading.
NINTH & HELL STREET isn’t the goriest novel I’ve ever read, but it outdoes most splatterpunk fiction in sheer nastiness
THE LONG LAST CALL apparently began life as a screenplay to be directed by Skipp himself. He apparently couldn’t find financing for the film, however, so Skipp refashioned the material into a novel. As such it works beautifully.