DEAD BOYZ CANT FLY
Those in the mood for gratuitous violence will be amply rewarded by this early-nineties over-the-topper
Those in the mood for gratuitous violence will be amply rewarded by this early-nineties over-the-topper
To many horror fans DAY OF THE DEAD, the third in George Romero’s “Dead” saga, is a genre masterpiece. Not me!
A recent, and quite possibly final, horror film from Juraj Herz, the Czech Republic’s master of all things horrific and fantastic
This undistinguished 1987 grue fest is of interest for one reason: the name “Louis Fulci,” credited as Associate Producer—actually Italy’s Lucio Fulci
From Sweden’s Ronny Carlsson, an evocative 43 minute head-scratcher involving a tormented woman, a house in a forest and a great deal of artful grotesquerie
This lunatic late sixties obscurity, a hippified take on THE MOST DANGEROUS GAME, is hardly a buried treasure. It is fun, though, an unforgettably whacked-out wallow in gore and sleaze!
COMBAT SHOCK isn’t mentioned in many film books, yet it’s one of the seminal independent films of the 1980s
This 64-page horror movie review compilation is notable as (in its original self-published 1983 edition) the first-ever book by the late Chas. Balun
A fast, user-friendly overview of the Italian cannibal film cycle
This late eighties slasher is notable for introducing a wealth of behind-the-scenes talent, and as an alleged influence on Quentin Tarantino