BLOOD FEAST
What is it about H.G. Lewis’s flicks that are so much fun? They’re not “good” by any stretch of the imagination—indeed, they’re often downright atrocious. Case in point: BLOOD FEAST, the first of Lewis’ gore epics
What is it about H.G. Lewis’s flicks that are so much fun? They’re not “good” by any stretch of the imagination—indeed, they’re often downright atrocious. Case in point: BLOOD FEAST, the first of Lewis’ gore epics
Eighties Italian sex-horror trash, a film SO amazingly crude, exploitive, wrong-headed and plain crazy it’s…well, a classic of sorts!
A redubbing of the 50’s classic THE BLOB by the So Cal comedy troupe the L.A. Connection, complete with added-on special effects (such as a cartoon mouth for The Blob). Is it funny? Yes. Is it stupid? Of course.
A wholly ludicrous, misconceived and plain crappy film about just what the title promises. Need I say more?
This digitally shot atrocity is foul, tasteless, irresponsible, gratuitously violent, morally repugnant, politically incorrect and utterly lacking in redeeming social value—in other words, a blast!
I’ve always liked this maligned sequel to BILL AND TED’S EXCELLENT ADVENTURE, which far outpaces that film in spectacle and invention
A Troma sponsored no-budgeter worth viewing for its stunningly demented opening—a kid’s dad dies after getting caught in a bear trap and the tyke responds by cutting open the elder’s belly and happily removing his organs!—and closing sequences
This beyond-ridiculous horror comedy would appear to be Japan’s answer to the Troma movies of the eighties
This Missouri lensed no-budgeter from the eighties is real oddity: a hallucinatory horror movie set in Colonial America
A true bad movie classic! A nominal sequel to THE EXORCIST, this is a staggeringly ambitious, globe-spanning vision of ancient evil and redemption that’s also colossally misguided.