BLOOD FEAST
What is it about H.G. Lewis’s flicks that are so much fun? They’re not “good” by any stretch of the imagination—indeed, they’re often downright atrocious. Case in point: BLOOD FEAST, the first of Lewis’ gore epics
What is it about H.G. Lewis’s flicks that are so much fun? They’re not “good” by any stretch of the imagination—indeed, they’re often downright atrocious. Case in point: BLOOD FEAST, the first of Lewis’ gore epics
Eighties Italian sex-horror trash, a film SO amazingly crude, exploitive, wrong-headed and plain crazy it’s…well, a classic of sorts!
A middling early eighties monster movie notable for its outrageous ad campaign and intriguing premise
A wholly ludicrous, misconceived and plain crappy film about just what the title promises. Need I say more?
This digitally shot atrocity is foul, tasteless, irresponsible, gratuitously violent, morally repugnant, politically incorrect and utterly lacking in redeeming social value—in other words, a blast!
Another fun dollop of trashy horror from Spain’s Jose Ramon Larraz, of WHIRLPOOL and VAMPYRES fame
Quite simply the grossest of the gross: a disgusting, pandering, ultra-graphic sleaze fest from Italy’s notorious Joe D’Amato
This misconceived 1986 film, an upscale rape-revenge fantasy, is best remembered nowadays as one of several attempts by the late Farrah Fawcett to establish herself as a serious actress
A stilted and amateurish exploitation quickie purported to be an actual snuff film. It’s not!
It’s a fact that the late Ray Dennis Steckler made some good movies in his day, but this soft core horror-art film isn’t one of them