THE UNIVERSE AS PERFORMANCE ART
Weird fiction is alive and well in the twenty first century, and THE UNIVERSE AS PERFORMANCE ART is a standout example
THE FUTURE WAS NOW: MADMEN, MAVERICKS, AND THE EPIC SCI-FI SUMMER OF 1982
About mainstream science fiction cinema in the summer of 1982, a pivotal time for those of us who lived through it
Harlan Ellison AD 6
On Harlan Ellison and the long-awaited publication of THE LAST DANGEROUS VISIONS
THE ARTIFICIAL KID
The book that, together with the John Shirley potboilers TRANSMANIACON (1979) and CITY COME A-WALKIN’ (1980), served as the true prototype for what by the end of the 1980s was known as cyberpunk
TOKYO BLOOD
A 33-minute four parter by Japan’s Sogo Ishii, returning to form after a nine-year gap.
NIGHT OF DELUSIONS
A 1970s era Philip K. Dick wannabe, and one of the better examples
SALUTING THE BLOOD OF HEROES: BEHIND THE APOCALYPTIC FILM
The Second book by author Danny Stewart, who’s quickly establishing himself as one of the preeminent chroniclers of underappreciated science fiction cinema from the eighties and nineties
OMNI’S SCREEN FLIGHTS/SCREEN FANTASIES
For years this was the best book about science fiction onscreen, a title it lost only because it’s now 40 years old
BATTLEFIELD EARTH
A rare example of a film to which the passage of time has actually been kind
LOST IN SPACE
A 1998 adaptation of the classic TV series LOST IN SPACE that could have been worthwhile but isn’t