WHY DOES HERR R. RUN AMOK?
A maddening, thought-provoking and altogether brilliant portrayal of a murderer that doesn’t announce itself as such until the final ten minutes!
A maddening, thought-provoking and altogether brilliant portrayal of a murderer that doesn’t announce itself as such until the final ten minutes!
Here we have a novel that might be termed the thinking man’s MISERY
The second film directed by France’s Bertrand Blier was this eccentric black and white noir thriller from 1967
Having written about the subject for the past 20 years, I can discern what marks out cult films, and the following, I believe, are all prime candidates
A most intriguing exercise in psychological displacement in the guise of a crime thriller, this twice-filmed novel by France’s Sebastian Japrisot (actually Jean-Baptiste Rossi) is a confounding masterwork.
A first-person serial killer novel from one of America’s finest suspense writers.
Joe Egan is a desperate man on the run from a mysterious blonde woman who is in fact the Angel of Death.
A slightly above average early 90’s TV movie potboiler from Frank Darabont, future director of high profilers like THE SHAWSHANK REDEMPTION and THE GREEN MILE
FIGHT CLUB, released in October of 1999, was and remains one of the most outrageously subversive big studio movies of all time.
Back in 1991 this Martin Scorsese film seemed an anomaly: an unabashedly commercial thriller, and a remake to boot. The film has many good things, but just as many not-so-good ones