THE GIRL WHO KNEW TOO MUCH
Another impeccably visualized, violent and sexy thriller by Italy’s late Mario Bava
1996: The Year in Bedlam
From a cinematic standpoint 1996 can be viewed as the beginning of the end on two counts
The Horror Films of Janusz Majewski
Janusz Majewski is one of Poland’s most durable and prolific filmmakers
THE WHIP AND THE BODY
One of the strangest and most interesting films made by Mario Bava, a film featuring ahead-of-its-time perversity and the type of visual brilliance for which Bava is renowned
MACABRE
This gruesome and depraved yet subtle, atmospheric Italian horror fest was the directorial debut of Lamberto Bava, son of the legendary “Father of Italian horror” Mario Bava
BLACK SUNDAY (1961)
This was the first solo-directed film by the great Mario Bava, and remains his best-known work. There’s an excellent reason for that, and for the fact that actress Barbara Steele became an icon.
SHOCK
A superb 1977 horror movie, the last to be directed by the late, great Mario Bava. A textbook example of how to build mood, tension and, yes, shock on a limited budget, it remains one of the best films of its kind
KILL, BABY KILL!
This mid-sixties creepfest is one of the most famous and influential films of Italy’s legendary Mario Bava
PLANET OF THE VAMPIRES
For the most part this 1965 horror/sci fi chiller is every bit as goofy as you might expect, yet worthy nonetheless for the stunning visuals, courtesy of the late, great Mario Bava
LA VENERE D’ILLE
This hour long film, jointly helmed by Mario and Lamberto Bava, is notable as the final directorial credit of the incomparable Mario, and the first for his son Lamberto