BLIND BEAST VS. KILLER DWARF
The unfortunate final feature of Japan’s Teruo Ishii. A shot on video no-budgeter, it’s an uninspired and amateurish product not befitting one of Japan’s most prominent cult auteurs
The unfortunate final feature of Japan’s Teruo Ishii. A shot on video no-budgeter, it’s an uninspired and amateurish product not befitting one of Japan’s most prominent cult auteurs
A wildly fetishistic, claustrophobic Japanese production made in 1968, THE BLIND BEAST (a.k.a. MOJU) is profoundly bizarre
By far the most controversial film of 2000, this is an outrageous and ultra-violent satire from Japan
This beyond-ridiculous horror comedy would appear to be Japan’s answer to the Troma movies of the eighties
Japanese director Minoru Kawasaki’s follow-up to his cult hit THE CALAMARI WRESTLER was this goofy 2005 psycho thriller about a businessman koala bear who may or may not be a murderer
This Japanese shocker has a compelling first hour that seems to portend great things…which makes it all the more frustrating when SUICIDE CIRCLE loses its hold in the final half hour
Kiyoshi Kurosawa is one of the most distinctive talents in the J-horror field. SÉANCE, a loose remake of the sixties classic SÉANCE ON A WET AFTERNOON, is not one of his better films, but it definitely has moments
One of the final films by Japan’s late, occasionally great Teruo Ishii, adapting a manga by the legendary Yoshiharu Tsuge
This was filmmaker Kaneto Shindo’s follow-up to his unquestioned masterpiece ONIBABA (1964). The highly ambitious KURONEKO isn’t up to the same high standards, but does contain stunning black-and-white photography and some genuinely startling elements
One of the all-time classics of Japanese horror, ONIBABA is a stunningly photographed, deeply stylish film