CONSUMED is the better-late-than-never debut novel 71-year-old David Cronenberg. It has a thoroughly unique and individual voice that falls somewhere between those of William Gibson and Don DeLillo in its concentration on technological minutiae and elegant perversity. It’s also fully in keeping with the obsessions and subject matter of Cronenberg’s films.
Eccentric, humorous and decadent: all those things adequately sum up BEREAVEMENTS, with its perversely humorous depiction of grief-born insanity.
A “hider in the house” tale in the mold of the 1989 film of the same name and THE PEOPLE UNDER THE STAIRS, but it actually predated them by several decades.
FIGHT CLUB, released in October of 1999, was and remains one of the most outrageously subversive big studio movies of all time.
Here we’re going to look at what is very likely the most iconic and widely discussed horror movie of all time.
It’s a fact that South Africa isn’t exactly known for quality cinema. The “best” South African film, after all, is widely reputed to be Jamie Uys’ patronizing and nonsensical comedy THE GODS MUST BE CRAZY. With that in mind it’s hardly a surprise that when choosing worthwhile South African horror flicks the pickings tend to be slim…
What twenty selections have in common is that, simply, all are well worth your time to read and/or track down
This may seem like just another trashy potboiler of the type you see dozens of each year, and in many respects that’s just what it is
A cheap, tawdry and, ultimately, extremely powerful exploitation film from the seventies
The full title of this 1976 Swiss curio is MOSQUITO DER SCHAENDER (MOSQUITO THE RAPIST), meaning it is NOT to be confused 1995’s big bug bummer MOSQUITO