KNOCK KNOCK KNOCK KNOCK
The spirit of Dario Argento, spiced with more than a hint of the anything-goes vibe of Nobuhiko Obayashi’s HAUSU, is evident in this British made, Italian language oddity from 2018
The spirit of Dario Argento, spiced with more than a hint of the anything-goes vibe of Nobuhiko Obayashi’s HAUSU, is evident in this British made, Italian language oddity from 2018
The books of 2018? There’s really not much to say, outside my usual observation that the really good stuff often lurks outside the mainstream
The second entry in the RKS Library Editions series of “lost and forgotten masterpieces of drug literature”
Quite simply the state of the art in visionary animation, a feature-length Chilean reverie that in strangeness and invention can stand alongside the early work of David Lynch
A new novel by John Ajvide Lindqvist, Sweden’s current master of all things horrific
This is the closest thing that exists to a director’s cut of Paul Schrader’s DYING OF THE LIGHT (2014)
This 1978 film was apparently an attempt at “commercial filmmaking” by Germany’s late Rainer Werner Fassbinder (1945-1982)
Ronald Crowhurst was a deeply obsessive man, so it’s appropriate that this book about his doomed 1969 voyage is an extremely eccentric and obsessive piece of work in its own right
An ultra-low rent Florida lensed horror flick, created by the veteran supporting actor Bert Williams, that was believed lost for decades
You simply will not find a more disturbing documentary than CANIBA, which takes an up-close and very personal look at the infamous Japanese cannibal-murderer Issei Sagawa