MEN BEHIND THE SUN
This Hong Kong shocker has attained near-legendary status among extreme movie buffs, and is indeed a shocking, traumatizing film
This Hong Kong shocker has attained near-legendary status among extreme movie buffs, and is indeed a shocking, traumatizing film
More trash from Thomas Tang’s notorious Filmark International. THE VAMPIRE IS ALIVE contains much of the same disjointed, rapid-fire insanity of Tang’s ROBO VAMPIRE, his best-known work
Quite simply: you’ll have a difficult time finding such a mind-roasting mélange of rapid-fire insanity anywhere in or outside Hong Kong
This 1984 rarity, a Hong Kong sexploitater spiced with black magic, is highly sought after by trash movie connoisseurs, but the reality is that outside of its geek show value there just isn’t much here
This 1976 sequel to the Shaw Brothers classic BLACK MAGIC lacks the narrative drive of its predecessor, but makes up for it in sheer outrageousness
Of the many Hong Kong horror pictures made by the Shaw Brothers during the seventies, BLACK MAGIC is far from the best, even if it is the best known
Often referred to Hong Kong’s answer to LAST HOUSE ON THE LEFT, this is a potent blast of sleazy action-oriented nastiness
We all knew this was coming: a completely over-the-top horror-exploitation movie about the Ebola virus!
If you can get past this film’s lousy opening minutes you’ll experience one of the wildest of all Hong Kong horror movies—and considering the unfettered nature of most such films, that’s no faint praise
Unabashedly over-the-top Hong Kong action-horror from Herman Yau, of EBOLA SYNDROME, so at the very least you can count on some serious gore and sleaze!