THEY CAME BACK

THEY CAME BACK, the directorial debut of Robin Campillo, eschews the flesh eating and intestine pulling of traditional living dead flicks in favor of a more surreal, even satirical approach

DON’T DELIVER US FROM EVIL

This film was banned in France for eight months, and wasn’t distributed in the U.S. until 35 years later. Now that this notorious work has finally been unveiled, the furor is revealed as much ado about very little

THE DEMON IS ON THE ISAND

Medium-strength French horror from the eighties that’s rather trashy and overwrought, but not entirely unaffecting

DEADLY RUN

A lackluster French thriller notable for its intriguing premise, bequeathed by Marc Behm’s stunning source novel, and an unforgettable performance by Isabelle Adjani

IRREVERSIBLE

An extraordinary piece of “shock art.” It seems curiously appropriate that, in the midst of the rabidly anti-French sentiment that saturated the US in the early 00s, this is the major French movie we got

IN MY SKIN

The year 2003 saw more than its share of nasty films, but I feel confident in naming the French import IN MY SKIN as the year’s all-around nastiest film

A “Lost” Film Found

IN THE MIDST OF LIFE,a French made adaptation of three stories by Ambrose Bierce, is quite simply one of the great unknown masterpieces of world cinema

LA MOUSTACHE

A man loses touch with reality after shaving off his mustache in this French-made excursion in surreal paranoia that’s ominous, unsettling and extremely well acted