BLASTED

This 1995 play will be probably be viewed as beyond the pale nowadays, but the skill with which it was put together is undeniable

PIEGE

A product of the late 1960s French avant-garde, marked by decadence, surrealism and a loose reworking of THE MOST DANGEROUS GAME

THE COMPASS STONE

Fernando Arrabal is Spain’s grand master of the avant-garde, a playwright, artist, filmmaker and sometime novelist. THE COMPASS STONE (LA PIERDA ILLUMINADA), translated by Andrew Hurley, is one of a handful of Arrabal novels available in English (the others are BAAL BABYLON, THE BURIAL OF THE SARDINE, THE TOWER STRUCK BY LIGHTNING and THE RED VIRGIN), and for me the standout, an astounding torrent of madness, perversion, hallucination and murder, but graced with a probing, boldly intellectual edge. It’s told from the point of view of an unnamed teenage girl living in a vast, crumbling mansion run by her father, known only as “the Maimed One”, who spends his days watching TV and decrying the decadence of modern society. “The Sisters”, two gluttonous handmaidens, are on hand to attend to his every need.

A BELL FROM HELL

A vaguely surreal, darkly comic and deeply shocking exercise in Euro-styled anti-bourgeoisie subversion, the Spanish production A BELL FROM HELL is a one-of-a-kind gem