AMANITA PESTILENS
This eco-horror tinged psychodrama had the distinction of being the first Canadian live-action feature to be filmed in color
CANADIAN BACON
The last film appearance by the late John Candy and the first (and only) fictional film directed by Michael Moore. It plays exactly as you’d expect it to.
CRUSH (1992)
A product of the nineties indie film scene, when dark and twisted were in and commercial considerations were very much out
DROP DEAD FRED
A nineties chick flick crossed with HARVEY and an undertone of genuine psychological unrest
DISLOCATION
From China, a heavily stylized sci-fi satire
LOUIS THE 19th, KING OF THE AIRWAVES
A once-outlandish French-Canadian comedy about a thoroughly Average Joe who finds himself the star of a reality TV program
George Armitage: 1942-2025
On February 15, 2025, one of America’s most individual, and least known, filmmakers left us
2024: The Year in Bedlam
Let’s face it: the movies of 2024 by and large sucked
THE BOY WHO KICKED PIGS
A self-proclaimed “grotesque masterpiece” about just what the title promises
NIGHT OF THE COMET
“Valley girls at the end of the world” was the pitch by writer-director Thom Eberhardt for this low budgeter from 1984