The Two Davids

David Cronenberg and David Lynch: two visually gifted, unabashedly idiosyncratic filmmakers, both drawn to bizarre and grotesque subject matter

The CREMASTER Cycle

From Adam I'm finally getting around to it. Whether you're a long-time reader or new to the site, you'll probably like my monthly newsletter. You'll get stuff before it's posted and occasional subscriber-only extras. Nothing stupid. No spam. Subscribers get my...

THE CARRIER

A far weirder-than-average eighties horror fest with a shadowy monster, a deadly epidemic and a large-scale feud

CAPRICCI

An unrestrained phantasmagoria from Italy’s Carmelo Bene, one of the world’s most defiantly idiosyncratic filmmakers

WILD AT HEART

This remains one of David Lynch’s most controversial films. A dark and violent romance, it’s quite uneven but still fairly impacting

THE WHITE ALLIGATOR

Indonesian madness with a magic crocodile, a mystic queen, two mutant births, a blatant lift from THE EXORCIST, a homicidal tree, and much, much overall insanity

WHAT IS IT?

Q: What is the absolute WEIRDEST movie of the 00s? A: This ten-years-in-the-making cinemutation, the directorial debut of nutcase actor Crispin Glover

MOONLIGHT BOY

Poetic, bizarre and altogether impressive nineties-era horror from Taiwan that can be viewed as Asia’s answer to THE SIXTH SENSE

MIDORI

Adults-only anime madness that’s profoundly stylish, outrageous and disturbing. In addition, it’s undoubtedly the ultimate movie (after FREAKS) about a traveling freak show.